3/5/2023 0 Comments Flute notes![]() The answer to the question, how high can the flute play, is constantly evolving. The notes on the piccolo played at the same sounding pitch tend to be a bit more hollow and more difficult to project. However, a seasoned flutist can create some amazingly pure tones at all different volumes. There is such a wide range of possibilities with tone and tone color.ĭue to the amount of control, air speed, and pressure that is required to play these notes, they can be sometimes difficult to control. Speaking of tone, the tone of the high notes on the flute is one of the main reasons a composer would us the flute over the piccolo in the orchestra. While you could "overblow" lower octave fingerings, the tone is much cleaner with these different fingerings. As such, this register uses different fingerings to ensure those harmonics are the pitch. The challenge comes when trying to access the third octave, which is not the second, but third harmonic of the overtone series for these notes. ![]() That is essentially what the second octave of the flute is all about. The natural register of the flute is the first octave, and with practiced control of embouchure and air stream, you can easily access the first harmonic of the overtone series, which is an octave higher. Now, the following is a bit oversimplification of the science, but here we go. For the most part, the first couple of octaves of the flute have the holes opening up in sequential order. Opening and closing different tone holes affects the length of the vibrating column of air, which gives us different pitches. The flute makes pitches by vibrating the air inside the tube. Note: For the purpose of this article, we will be looking at the notes beyond C6. Let us take a look at the upper register of the flute and discuss some of its characteristics and techniques. It is also some of the last notes that are taught to a beginning student, and for very good reasons. Flute high notes - a soaring register for the flute which allows it to be heard among an orchestra in more orchestrationally dense sections, but also has a unique tone color that provides a lot of usage in solo repertoire.
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